«CHAPTER ONE Vantage Point and Image-Worlds Time past and time future Allow but a little consciousness. To be conscious is not to be in time But only ...»
It is a multilayered visualization of the prisoner’s barracks and smokestacks. Is it a more realistic depiction than figVantage Point and Image-Worlds ure 1.3? On the surface, that would seem to be the case. I would claim that although Crawley shot this on location, the photo moves far beyond the parameters of the camp itself and invokes a generalized view of all such horrific symbols of war and death. In that sense, time is both irrelevant and at the center of the photo. The image virtualizes the past and negates a simple or direct look. To “site” this image is to drag it from the past into the present and back again. It is to both identify with horror and disavow the flood of memories that the image engenders. The photo can play as flexible a role as the spectator desires, and this can lead to its undoing—to irrelevance. Alternately, the activity of viewing can be brought into a process of visualization and discursive richness, which means engaging with the image in many different ways and 37 FIGURE 1.10 From the exhibition About Auschwitz (Judith Lermer Crawley).
Used by permission.
not allowing that first look to be the only reference point for the experience.
This means that the trauma of the event itself recedes into the background as the image becomes “virtualized.” The struggle of interpretation, then, is between the virtual status of the image and knowledge of events, history, and language.
Chapter 2 explores the movement from images to visualizations and the resulting creation of virtual, image-based environments. Digital images are in many ways a practical solution to the dilemmas that I have been describing in this chapter. As more “intelligence” is processed into image-worlds, the question of the boundary between humans and images becomes ever more complex. At the same time, digital worlds are very much about the integration of images into every aspect of human activity, and therefore they underscore